Euclid


Maxwell

Riemann

Russell

James

Whitehead

    

Definite portions of a manifold, distinguished by a mark or a boundary, are called Quanta ... (Riemann)





A = B = C



A = C

The sense-object is the simplest permanence which we trace as self-identical in external events. It is some definite sense-datum, such as the color red of a definite shade. We see redness here and the same redness there, redness then and the same redness now. In other words, we perceive redness in the same relation to various definite events, and it is the same redness which we perceive. Tastes, colors, sounds, and every variety of sensation are objects of this sort.

Whitehead

The characteristic of an n-dimensional manifold is that each of the elements composing it (in our examples, single points, conditions of a gas, colors, tones) may be specified by the giving of n quantities, the "co-ordinates," which are continuous functions within the manifold.

Weyl     

  

I can here only briefly indicate the lines along which I think the 'world knot'-to use Schopenhauer's striking designation for the mind-body puzzles may be disentangled. The indispensable step consists in a critical reflection upon the meanings of the terms 'mental' and 'physical', and along with this a thorough clarification of such traditional philosophical terms as 'private' and 'public', 'subjective' and 'objective', 'psychological space(s)' and 'physical space', 'intentionality', 'purposiveness', etc. The solution that appears most plausible to me, and that is consistent with a thoroughgoing naturalism, is an identity theory of the mental and the physical, as follows: Certain neurophysiological terms denote (refer to) the very same events that are also denoted (referred to) by certain phenomenal terms. [...] I take these referents to be the immediately experienced qualities, or their configurations in the various phenomenal fields.

Feigl      

This is the characteristic mathematical property of a classical field: it is an undefined something which exists throughout a volume of space and which is described by sets of numbers, each set denoting the field strength and direction at a single point in the space.

§

There is nothing else except these fields: the whole of the material universe is built of them.

Dyson
 

      

 I would like to again impress you with the vast range of phenomena that the theory of quantum electrodynamics describes: It's easier to say it backwards: the theory describes all the phenomena of the physical world except the gravitational effect [...] and radioactive phenomena, which involve nuclei shifting in their energy levels. So if we leave out gravity and radioactivity (more properly, nuclear physics) what have we got left? Gasoline burning in automobiles, foam and bubbles, the hardness of salt or copper, the stiffness of steel. In fact, biologists are trying to interpret as much as they can about life in terms of chemistry, and as I already explained, the theory behind chemistry is quantum electrodynamics.

Feynman   

Dirac 

Increasingly, many of us have come to think that the missing element that has to be added to quantum mechanics is a principle, or several principles, of symmetry. A symmetry is a statement that there are various ways that you can change the way you look at nature, which actually change the direction the state vector is pointing, but which do not change the rules that govern how the state vector rotates with time. The set of all these changes in point of view is called the symmetry group of nature. It is increasingly clear that the symmetry group of nature is the deepest thing that we understand about nature today.

Weinberg     

Furthermore, and now this is the point, this is the punch line, the symmetries determine the action.  This action, this form of the dynamics, is the only one consistent with these symmetries [...]  This, I think, is the first time that this has happened in a dynamical theory: that  the symmetries of the theory have completely determined the structure of the dynamics, i.e., have completely determined the quantity that produces the rate of change of the state vector with time.

Weinberg    

To monochromatic light corresponds in the acoustic domain the simple tone. Out of different kinds of monochromatic light composite light may be mixed, just as tones combine to a composite sound. This takes place by superposing simple oscillations of different frequency with definite intensities.

Weyl

Mathematics has introduced the name isomorphic representation for the relation which according to Helmholtz exists between objects and their signs. I should like to carry out the precise explanation of this notion between the points of the projective plane and the color qualities [...] the projective plane and the color continuum are isomorphic with one another. Every theorem which is correct in the one system Σ₁ is transferred unchanged to the other Σ₂. A science can never determine its subject matter except up to an isomorphic representation. The idea of isomorphism indicates the self- understood, insurmountable barrier of knowledge. It follows that toward the "nature" of its objects science maintains complete indifference. This for example what distinguishes the colors from the points of the projective plane one can only know in immediate alive intuition [...]

Weyl

[The] science of colours becomes a speculation as truly mathematical as any other part of physics. (Newton)

There is in the absolute differential calculus a kind of law of reciprocity or duality in accordance with which we can deduce from every theorem or formula a reciprocal theorem or formula by interchanging the words covariant and contravariant, and lowering or raising the indices.

Levi-Civita

When a beam of light falls on the human eye, certain sensations are produced, from which the possessor of that organ judges of the color and luminance of the light. Now, though everyone experiences these sensations and though they are the foundation of all the phenomena of sight, yet, on account of their absolute simplicity, they are incapable of analysis, and can never become in themselves objects of thought. If we attempt to discover them, we must do so by artificial means and our reasonings on them must be guided by some theory. 

Maxwell    

A = B

It seems useful to me to develop a little more precisely the "geometry" valid in the two-dimensional manifold of perceived colors. For one can do mathematics also in the domain of these colors. The fundamental operation which can be performed upon them is mixing: one lets colored lights combine with one another in space...

   

So few and far between are the occasions for forming notions whose specialisations make up a continuous manifold, that the only simple notions whose specialisations form a multiply extended manifold are the positions of perceived objects and colors.

Riemann

This leaf (given to me in the present act of perception) has this definite green color (given to me in this very perception).

Weyl

A speck in the visual field, though it need not be red must have some color; it is, so to speak, surrounded by color-space. Notes must have some pitch, objects of the sense of touch some degree of hardness, and so on.

Wittgenstein

 

No wonder that Cayley exclaimed, "Projective geometry is all geometry." (Kline)

The real projective plane
RP¹ = {the set of lines through 0 in R³}

If we take an "upper hemisphere," this meets each line in a unique point which we may take as the representative of that point of the projective plane— except for opposite points on the equator which have to be "identified."

If antipodal points have 180 degrees of phase difference, adding them gives 'darkness' or 'no light' or 'zero.' We then have a natural inverse operation—all we need to give colors a group structure, the other requirements being obviously met.

  

 

[It] became possible to affirm that projective geometry is indeed logically prior to Euclidean geometry and that the latter can be built up as a special case. Both Klein and Arthur Cayley showed that the basic non- Euclidean geometries developed by Lobachevsky and Bolyai and the elliptic non-Euclidean geometry created by Riemann can also be derived as special cases of projective geometry. No wonder that Cayley exclaimed, "Projective geometry is all geometry."

§

The principle of duality in projective geometry states that we can interchange point and line in a theorem about figures lying in one plane and obtain a meaningful statement. Moreover, the new or dual statement will itself be a theorem -- that is, it can be proven. On the basis of what has been presented here we cannot see why this must always be the case for the dual statement. However, it is possible to show by one proof that every rephrasing of a theorem of projective geometry in accordance with the principle of duality must be a theorem. This principle is a remarkable characteristic of projective geometry. It reveals the symmetry in the roles that point and line play in the structure of that geometry.

Kline     

      

Our basic ontology is that all systems, macroscopic structures included, are quantum fields [...]

Saunders   

 
A field is simply a quantity defined at every point throughout some region of space and time.

't Hooft

The second principle of color mixing of lights is this: any color at all can be made from three different colors, in our case, red, green, and blue lights. By suitably mixing the three together we can make anything at all, as we demonstrated [...]

Further, these laws are very interesting mathematically. For those who are interested in the mathematics of the thing, it turns out as follows. Suppose that we take our three colors, which were red, green, and blue, but label them A, B, and C, and call them our primary colors. Then any color could be made by certain amounts of these three: say an amount a of color A, an amount b of color B, and an amount c of color C makes X:

X = aA + bB + cC.

Now suppose another color Y is made from the same three colors:

Y = a'A + b'B + c'C.

Then it turns out that the mixture of the two lights (it is one of the consequences of the laws that we have already mentioned) is obtained by taking the sum of the components of X and Y:

Z = X + Y = (a + a')A + (b + b')B + (c + c')C.

It is just like the mathematics of the addition of vectors, where (a, b, c ) are the components of one vector, and (a', b', c' ) are those of another vector, and the new light Z is then the "sum" of the vectors. This subject has always appealed to physicists and mathematicians. In fact, Schrödinger wrote a wonderful paper on color vision in which he developed this theory of vector analysis as applied to the mixing of colors.

Feynman   

What we learn from our whole discussion and what indeed has become a guiding principle in modern mathematics is this lesson: Whenever you have to do with a structure endowed entity Σ try to determine its group of automorphisms, the group of those element- wise transformations which leave all structural relations undisturbed.

You can expect to gain a deep insight into the constitution of Σ in this way. After that you may start to investigate symmetric configurations of elements, i.e., configurations which are invariant under a certain subgroup of the group of all automorphisms [...]

Weyl   
  

It is a most beautiful and awe-inspiring fact that all the fundamental laws of Classical Physics can be understood in terms of one mathematical construct called the Action. It yields the classical equations of motion, and analysis of its invariances leads to quantities conserved in the course of the classical motion. In addition, as Dirac and Feynman have shown, the Action acquires its full importance in Quantum Physics.

Ramond  

If we imagine a machine so constructed as to produce thought, sensation, perception, we may conceive it magnified — to such an extent that one might enter it like a mill. This being supposed, we should find in it on inspection only pieces which impel each other, but nothing which can explain a perception. It is in the simple substance, therefore, — not in the compound, or in the machinery, — that we must look for that phenomenon [...]  

Leibniz

   

Pythagoras could be called the first known string theorist. Pythagoras, an excellent lyre player, figured out the first known string physics — the harmonic relationship. Pythagoras realized that vibrating Lyre strings of equal tensions but different lengths would produce harmonious notes (i.e. middle C and high C) if the ratio of the lengths of the two strings were a whole number.